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    <loc>https://www.elizabethorielphd.net/blog-avenue/2016/3/1/dubai-mrbsd</loc>
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    <lastmod>2016-03-01</lastmod>
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      <image:title>Blog - Dubai</image:title>
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    <lastmod>2016-03-01</lastmod>
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      <image:title>Blog - Budapest</image:title>
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    <lastmod>2016-03-01</lastmod>
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      <image:title>Blog - Paris</image:title>
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      <image:title>Work - Human-elephant relations</image:title>
      <image:caption>Elizabeth Oriel’s PhD research as a Bloomsbury Scholar at University of London, examined human-elephant relations and conflict in Sri Lanka. Her approach involved exploring how the macro and micro interact and how the last 70 years of land intensification has increased this interspecies issue. She has published numerous book chapters, journal articles and two articles in magazines.</image:caption>
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      <image:title>Work - Monograph</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
      <image:caption>Polyphonic style is an approach to presenting of many on-the-ground voices to understand how top down policies affect local people. The journalist Svetlana Alexievitch sued this style in her amazing books on Chernobyl and the Soviet Union’s policies. Elizabeth Oriel uses this style in one chapter of her monograph on will basketry in Denmark and in this piece for Noema Magazine about human-elephant conflict. The power of people’s stories and voices told one after the other, is affecting and brings an emotional tone and information to news stories and environmental news.</image:caption>
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    <image:image>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
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      <image:title>Work</image:title>
      <image:caption>Plants Speak Through Art This is a gallery of paintings made by plants, or really co-created by Elizabeth Oriel with primary guidance from various plant species. She developed a communicative technique to gain guidance from a plant species on all aspects of mark making, using oil pastels on canvas and paper. One of her plant artist series has been made with Bosque plants from the Rio Grande River valley in New Mexico. Cottonwood trees, coyote willow, and four-wing saltbush each reveal their own perspectives, aesthetics, and forms. Art making in this way has revolutionary ramifications as space opens for humans to recognize other species’ voices. Once heard, these utterances become part of daily life, daily politics, and inform an earth-based multispecies politics and approach to land and governance. Giclee prints can be purchased of these images here. Half of all profits go to an organization to end the use of herbicide, glyphosate (Roundup) in the US. This political and land-based issue is central because glyphosate kills all plants except ones that are engineered to withstand it. This Monsanto chemical blocks the shikimate pathway in plants, which is a significant pathway for crucial gut bacteria in humans. Cancer, autism, and many chronic diseases are linked to glyphosate. In countries where glyphosate has been banned, native species are abundant, maintaining healthy soils and waterways. In this sense, this gallery joins art, plants and other species, politics, and activism in an environmental justice effort.</image:caption>
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    <lastmod>2024-11-21</lastmod>
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